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Demolition Derby II

by The Aesthetics

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1.
What’s the difference between Absorption & me When the crux holds the center The center of the sea? The center of the beam The center of the beam’s not The center of you Not the center of me The center of the beam… But not the center of me. Seething on the blocks When something comes as quite the shock; Nowhere nuthin’ everyday At the center of the sea. Yeah, you’ve never had a say And we’re all just “chunk[s] of clay,” Nuthin’s beautiful it seems At the center of the sea The center of the beam The center of the beam’s not The center of you Or the center of me The center of the beam… But not the center of me. And if the truth were known for kindness, Then I’d be more open-minded, But that’s never happening At the center of the sea The center of the beam The center of the beam’s not The center of you; Not the center of me The center of the beam… But not the center of me.
2.
I loved to talk a- bout all those stupid shows. Here comes the shock, but it matters how you go. You've always been there: You can't just go. You've always been there: You can't just go. What does he look like? Is everything okay? Was it a long flight? What am I supposed to say? You've always been there: You can't just go. You've always been there: You can't just go! You've always been there! You can't just go! You've always been there! You can't just go! You've always been there! You've always been there! You can't just go! You've always been there: You can't just go. You've always been there: You can't just go.

about

The Aesthetics are:
Riley Smith - Rhythm guitar, vocals
Dillon Hansen - Shredding guitar, fuzzman
Hannah Brockman - Bass guitar, backup vocals
Conrad Barone - Drums guitar, moral support, band counseling
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Engineered and produced in Riley's bedroom and also Conrad's.
Mixed by Riley, which is why the guitars are so loud.
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All words by Riley Smith.
Music by Riley Smith, The Aesthetics and Dan Phillips
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We had a lot of fun making these demos, we hope you enjoy them! A big shout-out to our friend Dan for helping us turn Alley Dogs into a short power pop ditty. <3

credits

released February 3, 2015

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The Aesthetics Seattle, Washington

We make music and we think it's the mid-to-late 90s.

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